The slideshow about places and encounters in European "culturescape" turns into a (self-)experiment: What kind of "Wunschmaschine" (machine of desire) is needed to measure the optimal "cognitive distance" between image and memory, performer and public? How can I turn an ephemeral slideshow into the ultimate "knowledge spill-over"?
(Performed at Salonmarathon, Ballhaus Ost Berlin, on October 23, 2008)
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